Cool Calling Card images

Some cool Calling Card images:

[Johnny Bates, Cincinnati NL (baseball)] (LOC)
Calling Card
Image by The Library of Congress
Bain News Service,, publisher.

[Johnny Bates, Cincinnati NL (baseball)]

[1913]

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Original data provided by the Bain News Service on the negatives or caption cards: Bates, Cinci.
Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.12628

Call Number: LC-B2- 2649-5

[Ben Dyer, Detroit AL (baseball)] (LOC)
Calling Card
Image by The Library of Congress
Bain News Service,, publisher.

[Ben Dyer, Detroit AL (baseball)]

[1917]

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Original data provided by the Bain News Service on the negatives or caption cards: Ben Dyer.
Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.15274

Call Number: LC-B2- 2968-9

[Johnny Evers, Boston NL (baseball)] (LOC)
Calling Card
Image by The Library of Congress
Bain News Service,, publisher.

[Johnny Evers, Boston NL (baseball)]

[1914]

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Original data provided by the Bain News Service on the negatives or caption cards: Evers, Boston.
Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.15794

Call Number: LC-B2- 3029-3


Online Calling Card Related Blogs

    Cool Calling Card images

    Check out these Calling Card images:

    Photographers expand horizons in 2010 Army Digital Photography Contest 110311
    Calling Card
    Image by familymwr
    PHOTO CAPTION: Awarded Honorable Mention Dryad by SPC JORDAN CARTER – Division 1 Active Duty Military

    www.Facebook.com/FamilyMWR

    Photographers expand horizons in 2010 Army Digital Photography Contest 110311

    By Tim Hipps
    FMWRC Public Affairs

    ALEXANDRIA, Va. – Brenda Walker strolled upon “one of those right places at the right time” alongside East Fork Indian Creek River when she photographed “Morning Serenity” on Fort Campbell, Ky…

    Retired Col. Richard Pugh shot three photographs of “Point Lobos,” just south of Monterey, Calif., and combined them into one image by working 15 minutes with Photoshop…

    Staff Sgt. Pablo Piedra won a footrace with his wife to the bottom of a stairwell at Heidelberg Castle in Germany just before he looked up and photographed “9”…

    …all three were winners in the 2010 Army Digital Photography Contest sponsored by the Army Family and Morale, Welfare and Recreation Command.

    There were 3,691 entries from around the world – 1,348 in Division I for active duty military personnel and 2,343 in Division II for other eligible MWR patrons. After Army garrisons selected their best entries, 664 Division I and 1,031 Division II photographs were forwarded for Department of the Army judging.

    “There were many really excellent photos, which made the judges’ decisions a difficult task,” said Linda Ezernieks, who monitors the annual contest at Army MWR Headquarters in Alexandria. “Originality, creativity and technical quality were the main criteria in making final selections.”

    Winners in each category – animals, digital darkroom, design elements, military life, monochrome, nature & landscapes, people, and still life – were posted on a website where Army Knowledge Online account-holders voted for their favorite photo in each division.

    Walker’s “Morning Serenity” took first place in the nature and landscapes category and was voted the most popular photograph in Division II.

    The subject of the photo is a fisherman wading and casting in the middle of East Fork Indian Creek River while the sun shines through the lush, green trees and casts a rainbow-like appearance off the steam hovering above the stream.

    “It’s back on Fort Campbell,” Walker said. “I take my dog running back there early morning. It was really hot and the steam was rising and the rays were going through the trees. It was absolutely beautiful back there.

    “I take my camera everywhere I go now.”

    Walker left her business card on the windshield of a truck parked nearby and later learned the fisherman was Sgt. Randy Shorter of Fort Campbell.

    About five years ago, Walker took some of her photographs to the MWR Custom Framing Shop at Fort Campbell, where she found out about the Army Photography Contest. She has produced prize-winning photos for the past three contests.

    “It’s a wonderful opportunity to get exposure, plus cash prizes,” said Walker, 48, a military family member. “I enjoy looking at everybody else’s work. It inspires me and motivates me to get out and get more interesting, different shots.”

    What does Walker enjoy most about photography?

    “Just being able to capture what I see through my eyes, my heart and my head,” she said. “A lot of it comes out through your emotion. It’s another form of art.”

    Pugh, of Clarksville, Tenn., took first place in the Division II digital darkroom category with “The Owl,” second in design elements with “Blue Mosque,” and third in nature and landscapes with “Point Lobos.”

    Pugh shot the high-tech looking photo of “The Owl” at Land Between The Lakes, a national recreation area located south of Paducah, Ky., and embellished it in Photoshop, as he did with “Blue Mosque,” a shot of the roof of a mosque in Istanbul, Turkey.

    “I like this contest,” said Pugh, 65, who photographed winning entries in each of the past three years after serving 30 years in the Army. “It gives people a chance to show off something they did, which is great.”

    Piedro, 31, an Army recruiter in Douglasville, Ga., is a former combat photographer. His “9” earned first-place honors in the Division I design elements category. He took third place in digital darkroom with a self-portrait called “Beast within Me” that would make a dandy Halloween poster.

    “I got the idea when I was in the gym working out with my partner and a couple people came up to us and said: ‘You guys are lifting like beasts.’ The idea just popped into my head, so I got home, took the shot, and just started editing,” Piedro said. “That’s where that photo came from.”

    The subject of the photo looks like a cross between a werewolf, a vampire and an Avatar, complete with fangs, dagger-like fingernails and alien ears – seemingly howling at the moon that looms behind a naked tree.

    “The fangs, the ears, the eyes and the hands are all Photoshopped,” Piedro said. “And the stomach that’s concaved a little bit, that was done in Photoshop. For the background, I took certain parts of images from other photos, adjusted them, and made everything into one image.”

    So what’s real?

    “The body, and the face,” Piedro replied. “That’s it.

    “If you look closely, the eyes are actually black and the pupils are red, so that’s been Photoshopped.”

    Piedro, however, does not think of himself as a Photoshop expert.

    “I actually don’t do too much Photoshop,” he said. “I try to keep my images as pure as possible. But every now and then, I get my creative side and I do a little bit of Photoshop – just trial and error, playing around.”

    Piedro won two categories and received an honorable mention in the 2007 Army Photography Contest but missed the competition the past two years.

    “I think it’s a great, great program,” he said. “It’s a great way to get the creative process of people that do see the world and travel the world by being in the military, and not even just as Soldiers, but supporting staff, civilians, wives.

    “It’s a great way to get recognition for something that we love to do.”

    As is often the case with photography, Piedro did not know exactly what he shot that day in the stairwell to the gardens at Heidelberg Castle – until he downloaded the photo.

    “When I got home and I looked at, I was like: ‘That’s 9, yeah.’ And that’s where the title came from.”

    Piedro cherishes photography’s uncanny ability of giving him the opportunity of “freezing a moment in time that only I can see and sharing that with others.”

    Several other military photographers earned multiple places in the 2010 Army Digital Photography Contest.

    Holly Swegle of Fort Hood, Texas, took first place in Division II monochrome for “Dress Shop,” second in animals for “Painted Birds” and third in people for “American Woman.”

    Lt. Col. Mark Bonica of Fort Sam Houston, Texas, took second in Division I still life with “Reflections in Soap,” third in monochrome with “… and We All Fall Down” and received an honorable mention in military life with “Free Gift When You Join Today.”

    Staff Sgt. Brandon Quarterman of Fort Bliss, Texas, won the Division I popular vote contest for “Reaching Perfection,” which topped the still life category.

    SIDEBAR:

    Here are the results of the top three finishers in each category with photographer’s rank, name, installation and photo title:

    2010 Army Digital Photo Contest
    Division I

    Animals – 1. Pfc. Amber Smith, Yongsan, Korea, What’s for Dinner; 2. Staff Sgt. Wilberto Sierra, Fort Bliss, Texas, Dragonfly; 3. Staff Sgt. Robert Curtis, Vicenza, Italy, Tough Love.

    Digital darkroom – 1. Spc. Thomas Mort, Fort Knox, Ky., Over the Top; 2. Sgt. Shawn Cassatt, Yongsan, Korea, On the Range; 3. Staff Sgt. Pablo Piedra, Fort McPherson, Ga., Beast within Me.

    Design elements – 1. Staff Sgt. Pablo Piedra, Fort McPherson, Ga., 9; 2. 2nd Lt. Thomas Malejko, Fort Leonard Wood, Mo., Arch Elements; 3. Lt. Col. David Tygart, Stuttgart, Germany, Sunset Under Glass.

    Mililtary life – 1. Sgt. Darlene Martinez, Fort Drum, N.Y., The Sacrifices We Make; 2. Staff Sgt. Joey Suggs, Fort Meade, Md., Dental Care; 3. Sgt. Shawn Cassatt, Yongsan, Korea, Remember Me.

    Monochrome – 1. Sgt. 1st Class Lance Widner, Mannheim, Germany, Great Grandmother; 2. Col. John Powers, Camp Zama, Japan, Calm Morning at Mount Fuji; 3. Lt. Col. Mark Bonica, Fort Sam Houston, Texas, … and We All Fall Down.

    Nature & landscapes – 1. 1st Lt. Christopher Snell, (unknown location), Sunset Swim; 2. Spc. Juan-Pablo Marin, Fort Benning, Ga., Moon Set; 3. Spc. Jenny Lu, Hohenfels, Germany, Hong Kong at Night.

    People – 1. Capt. David Callender, (unknown location), Anna’s Dream; 2. Lt. Col. David Tygart, Stuttgart, Germany, Eval Fairy; 3. Col. Joseph Mancy, Stuttgart, Germany, Eyes that Speak.

    Still life – 1. Staff Sgt. Brandon Quarterman, Fort Bliss, Texas, Reaching Perfection; 2. Lt. Col. Mark Bonica, Fort Sam Houston, Texas, Reflections in Soap; 3. Warrant Officer Larry Olson, Wiesbaden, Germany, Sunflower in Contrast.

    Division II

    Animals – 1. Susan Doran, Rock Island Arsenal, Ill., Defiance; 2. Holley Swegle, Fort Hood, Texas, Painted Birds; 3. Eric Armstrong, Camp Zama, Japan, Man O’ War.

    Digital darkroom – 1. Col. Richard Pugh, Fort Campbell, Ky., The Owl; 2. Stephen Cullum, Stuttgart, Germany, Volksfest FDR; 3. Gary Cashman, Yongsan, Korea, BMX Composite.

    Design elements – 1. Robert LaPolice, Selfridge, Mich., Just Riveting; 2. Col. Richard Pugh, Fort Campbell, Ky., Blue Mosque; 3. James Holbrook, Stuttgart, Germany, What do I call this.

    Military life – 1. Nell Williams, Fort Stewart, Ga., My Dad, My Hero; 2. Rebecca Colburn, Fort Carson, Colo., The Test Drive; 3. Ann Marie Detavernier, Baumholder, Germany, The Love Letter.

    Monochrome – 1. Holly Swegle, Fort Hood, Texas, Dress Shop; 2. Barbara Underwood, Fort Lee, Va., Light and Shadows; 3. Jeffrey Kline, Fort Sam Houston, Texas, Texas Snow.

    Nature & landscapes – 1. Brenda Walker, Fort Campbell, Ky., Morning Serenity; 2. Mylan Dawson, Kaiserslautern, Germany, Ash Clouds over Holland; 3. Col. Richard Pugh, Fort Campbell, Ky., Point Lobos.

    People – 1. Sherry Keene Hobbs, Garmisch, Germany, Belly Dancer; 2. Eugenia Whittenburg, Fort Shafter, Hawaii, Happy Beach Feet; 3. Holly Swegle, Fort Hood, Texas, American Woman.

    Still life – 1. Mylan Dawson, Kaiserslautern, Germany, Green Tomato; 2. Michael Slone, Fort Meade, Md., Morning Coffee; 3. Frank Leon, Fort Knox, Ky., The faucet chronicles.

    Connect with us:
    www.Facebook.com/FamilyMWR
    www.Twitter.com/FamilyMWR
    www.YouTube.com/FamilyMWR

    ks 110321

    Photographers expand horizons in 2010 Army Digital Photography Contest 110311
    Calling Card
    Image by familymwr
    PHOTO CAPTION: Awarded 2nd Place Dragonfly by SSG WILBERTO SIERRA – Division 1 Active Duty Military

    www.Facebook.com/FamilyMWR

    Photographers expand horizons in 2010 Army Digital Photography Contest 110311

    By Tim Hipps
    FMWRC Public Affairs

    ALEXANDRIA, Va. – Brenda Walker strolled upon “one of those right places at the right time” alongside East Fork Indian Creek River when she photographed “Morning Serenity” on Fort Campbell, Ky…

    Retired Col. Richard Pugh shot three photographs of “Point Lobos,” just south of Monterey, Calif., and combined them into one image by working 15 minutes with Photoshop…

    Staff Sgt. Pablo Piedra won a footrace with his wife to the bottom of a stairwell at Heidelberg Castle in Germany just before he looked up and photographed “9”…

    …all three were winners in the 2010 Army Digital Photography Contest sponsored by the Army Family and Morale, Welfare and Recreation Command.

    There were 3,691 entries from around the world – 1,348 in Division I for active duty military personnel and 2,343 in Division II for other eligible MWR patrons. After Army garrisons selected their best entries, 664 Division I and 1,031 Division II photographs were forwarded for Department of the Army judging.

    “There were many really excellent photos, which made the judges’ decisions a difficult task,” said Linda Ezernieks, who monitors the annual contest at Army MWR Headquarters in Alexandria. “Originality, creativity and technical quality were the main criteria in making final selections.”

    Winners in each category – animals, digital darkroom, design elements, military life, monochrome, nature & landscapes, people, and still life – were posted on a website where Army Knowledge Online account-holders voted for their favorite photo in each division.

    Walker’s “Morning Serenity” took first place in the nature and landscapes category and was voted the most popular photograph in Division II.

    The subject of the photo is a fisherman wading and casting in the middle of East Fork Indian Creek River while the sun shines through the lush, green trees and casts a rainbow-like appearance off the steam hovering above the stream.

    “It’s back on Fort Campbell,” Walker said. “I take my dog running back there early morning. It was really hot and the steam was rising and the rays were going through the trees. It was absolutely beautiful back there.

    “I take my camera everywhere I go now.”

    Walker left her business card on the windshield of a truck parked nearby and later learned the fisherman was Sgt. Randy Shorter of Fort Campbell.

    About five years ago, Walker took some of her photographs to the MWR Custom Framing Shop at Fort Campbell, where she found out about the Army Photography Contest. She has produced prize-winning photos for the past three contests.

    “It’s a wonderful opportunity to get exposure, plus cash prizes,” said Walker, 48, a military family member. “I enjoy looking at everybody else’s work. It inspires me and motivates me to get out and get more interesting, different shots.”

    What does Walker enjoy most about photography?

    “Just being able to capture what I see through my eyes, my heart and my head,” she said. “A lot of it comes out through your emotion. It’s another form of art.”

    Pugh, of Clarksville, Tenn., took first place in the Division II digital darkroom category with “The Owl,” second in design elements with “Blue Mosque,” and third in nature and landscapes with “Point Lobos.”

    Pugh shot the high-tech looking photo of “The Owl” at Land Between The Lakes, a national recreation area located south of Paducah, Ky., and embellished it in Photoshop, as he did with “Blue Mosque,” a shot of the roof of a mosque in Istanbul, Turkey.

    “I like this contest,” said Pugh, 65, who photographed winning entries in each of the past three years after serving 30 years in the Army. “It gives people a chance to show off something they did, which is great.”

    Piedro, 31, an Army recruiter in Douglasville, Ga., is a former combat photographer. His “9” earned first-place honors in the Division I design elements category. He took third place in digital darkroom with a self-portrait called “Beast within Me” that would make a dandy Halloween poster.

    “I got the idea when I was in the gym working out with my partner and a couple people came up to us and said: ‘You guys are lifting like beasts.’ The idea just popped into my head, so I got home, took the shot, and just started editing,” Piedro said. “That’s where that photo came from.”

    The subject of the photo looks like a cross between a werewolf, a vampire and an Avatar, complete with fangs, dagger-like fingernails and alien ears – seemingly howling at the moon that looms behind a naked tree.

    “The fangs, the ears, the eyes and the hands are all Photoshopped,” Piedro said. “And the stomach that’s concaved a little bit, that was done in Photoshop. For the background, I took certain parts of images from other photos, adjusted them, and made everything into one image.”

    So what’s real?

    “The body, and the face,” Piedro replied. “That’s it.

    “If you look closely, the eyes are actually black and the pupils are red, so that’s been Photoshopped.”

    Piedro, however, does not think of himself as a Photoshop expert.

    “I actually don’t do too much Photoshop,” he said. “I try to keep my images as pure as possible. But every now and then, I get my creative side and I do a little bit of Photoshop – just trial and error, playing around.”

    Piedro won two categories and received an honorable mention in the 2007 Army Photography Contest but missed the competition the past two years.

    “I think it’s a great, great program,” he said. “It’s a great way to get the creative process of people that do see the world and travel the world by being in the military, and not even just as Soldiers, but supporting staff, civilians, wives.

    “It’s a great way to get recognition for something that we love to do.”

    As is often the case with photography, Piedro did not know exactly what he shot that day in the stairwell to the gardens at Heidelberg Castle – until he downloaded the photo.

    “When I got home and I looked at, I was like: ‘That’s 9, yeah.’ And that’s where the title came from.”

    Piedro cherishes photography’s uncanny ability of giving him the opportunity of “freezing a moment in time that only I can see and sharing that with others.”

    Several other military photographers earned multiple places in the 2010 Army Digital Photography Contest.

    Holly Swegle of Fort Hood, Texas, took first place in Division II monochrome for “Dress Shop,” second in animals for “Painted Birds” and third in people for “American Woman.”

    Lt. Col. Mark Bonica of Fort Sam Houston, Texas, took second in Division I still life with “Reflections in Soap,” third in monochrome with “… and We All Fall Down” and received an honorable mention in military life with “Free Gift When You Join Today.”

    Staff Sgt. Brandon Quarterman of Fort Bliss, Texas, won the Division I popular vote contest for “Reaching Perfection,” which topped the still life category.

    SIDEBAR:

    Here are the results of the top three finishers in each category with photographer’s rank, name, installation and photo title:

    2010 Army Digital Photo Contest
    Division I

    Animals – 1. Pfc. Amber Smith, Yongsan, Korea, What’s for Dinner; 2. Staff Sgt. Wilberto Sierra, Fort Bliss, Texas, Dragonfly; 3. Staff Sgt. Robert Curtis, Vicenza, Italy, Tough Love.

    Digital darkroom – 1. Spc. Thomas Mort, Fort Knox, Ky., Over the Top; 2. Sgt. Shawn Cassatt, Yongsan, Korea, On the Range; 3. Staff Sgt. Pablo Piedra, Fort McPherson, Ga., Beast within Me.

    Design elements – 1. Staff Sgt. Pablo Piedra, Fort McPherson, Ga., 9; 2. 2nd Lt. Thomas Malejko, Fort Leonard Wood, Mo., Arch Elements; 3. Lt. Col. David Tygart, Stuttgart, Germany, Sunset Under Glass.

    Mililtary life – 1. Sgt. Darlene Martinez, Fort Drum, N.Y., The Sacrifices We Make; 2. Staff Sgt. Joey Suggs, Fort Meade, Md., Dental Care; 3. Sgt. Shawn Cassatt, Yongsan, Korea, Remember Me.

    Monochrome – 1. Sgt. 1st Class Lance Widner, Mannheim, Germany, Great Grandmother; 2. Col. John Powers, Camp Zama, Japan, Calm Morning at Mount Fuji; 3. Lt. Col. Mark Bonica, Fort Sam Houston, Texas, … and We All Fall Down.

    Nature & landscapes – 1. 1st Lt. Christopher Snell, (unknown location), Sunset Swim; 2. Spc. Juan-Pablo Marin, Fort Benning, Ga., Moon Set; 3. Spc. Jenny Lu, Hohenfels, Germany, Hong Kong at Night.

    People – 1. Capt. David Callender, (unknown location), Anna’s Dream; 2. Lt. Col. David Tygart, Stuttgart, Germany, Eval Fairy; 3. Col. Joseph Mancy, Stuttgart, Germany, Eyes that Speak.

    Still life – 1. Staff Sgt. Brandon Quarterman, Fort Bliss, Texas, Reaching Perfection; 2. Lt. Col. Mark Bonica, Fort Sam Houston, Texas, Reflections in Soap; 3. Warrant Officer Larry Olson, Wiesbaden, Germany, Sunflower in Contrast.

    Division II

    Animals – 1. Susan Doran, Rock Island Arsenal, Ill., Defiance; 2. Holley Swegle, Fort Hood, Texas, Painted Birds; 3. Eric Armstrong, Camp Zama, Japan, Man O’ War.

    Digital darkroom – 1. Col. Richard Pugh, Fort Campbell, Ky., The Owl; 2. Stephen Cullum, Stuttgart, Germany, Volksfest FDR; 3. Gary Cashman, Yongsan, Korea, BMX Composite.

    Design elements – 1. Robert LaPolice, Selfridge, Mich., Just Riveting; 2. Col. Richard Pugh, Fort Campbell, Ky., Blue Mosque; 3. James Holbrook, Stuttgart, Germany, What do I call this.

    Military life – 1. Nell Williams, Fort Stewart, Ga., My Dad, My Hero; 2. Rebecca Colburn, Fort Carson, Colo., The Test Drive; 3. Ann Marie Detavernier, Baumholder, Germany, The Love Letter.

    Monochrome – 1. Holly Swegle, Fort Hood, Texas, Dress Shop; 2. Barbara Underwood, Fort Lee, Va., Light and Shadows; 3. Jeffrey Kline, Fort Sam Houston, Texas, Texas Snow.

    Nature & landscapes – 1. Brenda Walker, Fort Campbell, Ky., Morning Serenity; 2. Mylan Dawson, Kaiserslautern, Germany, Ash Clouds over Holland; 3. Col. Richard Pugh, Fort Campbell, Ky., Point Lobos.

    People – 1. Sherry Keene Hobbs, Garmisch, Germany, Belly Dancer; 2. Eugenia Whittenburg, Fort Shafter, Hawaii, Happy Beach Feet; 3. Holly Swegle, Fort Hood, Texas, American Woman.

    Still life – 1. Mylan Dawson, Kaiserslautern, Germany, Green Tomato; 2. Michael Slone, Fort Meade, Md., Morning Coffee; 3. Frank Leon, Fort Knox, Ky., The faucet chronicles.

    Connect with us:
    www.Facebook.com/FamilyMWR
    www.Twitter.com/FamilyMWR
    www.YouTube.com/FamilyMWR

    ks 110321


    Online Calling Card Related Blogs

      Cool Calling Card images

      A few nice Calling Card images I found:

      [F.E. "Fin" Wilson, Cleveland AL (baseball)] (LOC)
      Calling Card
      Image by The Library of Congress
      Bain News Service,, publisher.

      [F.E. "Fin" Wilson, Cleveland AL (baseball)]

      [1912]

      1 negative : glass ; 5 x 7 in. or smaller.

      Notes:
      Original data provided by the Bain News Service on the negatives or caption cards: Wilson, Cleve.
      Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
      Wilson with Naps in spring training as a pitching prospect. Later he played in Federal League (Pictorial History Committee, Society for American Baseball Research, 2006).
      Forms part of: George Grantham Bain Collection (Library of Congress).

      Format: Glass negatives.

      Rights Info: No known restrictions on publication.

      Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

      General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

      Persistent URL: hdl.loc.gov/loc.pnp/ggbain.12733

      Call Number: LC-B2- 2659-2

      [Eddie Grant, Cincinnati NL, at Polo Grounds, NY (baseball)] (LOC)
      Calling Card
      Image by The Library of Congress
      Bain News Service,, publisher.

      [Eddie Grant, Cincinnati NL, at Polo Grounds, NY (baseball)]

      [1913]

      1 negative : glass ; 5 x 7 in. or smaller.

      Notes:
      Original data provided by the Bain News Service on the negatives or caption cards: Grant, Cinci.
      Corrected title and date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
      Photo shows baseball player Edward Leslie Grant (1883-1918) who was killed in the battle of the Argonne Forest in World War I. (Source: Flickr Commons project, 2009)
      Forms part of: George Grantham Bain Collection (Library of Congress).

      Format: Glass negatives.

      Rights Info: No known restrictions on publication.

      Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

      General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

      Persistent URL: hdl.loc.gov/loc.pnp/ggbain.12626

      Call Number: LC-B2- 2649-3

      Hodge (LOC)
      Calling Card
      Image by The Library of Congress
      Bain News Service,, publisher.

      Hodge

      [between 1911 and 1915]

      1 negative : glass ; 5 x 7 in. or smaller.

      Notes:
      Title from unverified data provided by the Bain News Service on the negatives or caption cards.
      Date based on research by the Pictorial History Committee, Society for American Baseball Research, 2006.
      Baseball player for New York NL (Pictorial History Committee, Society for American Baseball Research, 2006).
      Forms part of: George Grantham Bain Collection (Library of Congress).

      Format: Glass negatives.

      Rights Info: No known restrictions on publication.

      Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

      General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

      Persistent URL: hdl.loc.gov/loc.pnp/ggbain.16882

      Call Number: LC-B2- 3189-1


      Online Calling Card Related Blogs

        Cool Calling Card images

        Some cool Calling Card images:

        My Photography Workflow
        Calling Card
        Image by Thomas Hawk
        Probably the question that I get asked more than any other is about my photography workflow. I actually feel like my photography workflow is pretty simple so I thought I’d write up a brief post documenting my process all the way from photo capture to photo publishing. Feel free to ask any questions if you need me to elaborate on things.

        1. Step one, capture the image: I carry my Canon 5D and 5 lenses (24mm, 14mm, 50mm, 135mm, 100mm macro) with me in a backpack every where I go. I take advantage of the routine time wasted in a day to turn that time into photography. Walking to and from the BART train. Going out for lunch. Waiting in line somewhere. All kinds of everyday moments become photographic opportunities.

        Of course I also go out on specific photowalks all the time. Sometimes these are weekend trips away from home, other times they are just evenings out shooting with friends or with my wife. I use 2 8GB SanDisk cards.

        To learn more about what is in my camera bag you can read this post here.

        2. Step two, transfer the image to the computer: Here I use a high speed USB card reader. All card readers are not created equal. Spend the extra few bucks and get a high speed reader. Every day or other day I use my card reader to offload images on my camera card to my computer. In my case when I plug in my card reader Canon’s "Camera Window" software automatically loads. This software then pulls all of my images off of my CF card and puts them into folders on my computer titled by date taken. After my images are transferred to my MacBook Pro I then put the card back in the camera and delete the images off of it. If I’m on an all day shoot I’ll take breaks during my day (coffee, lunnch, etc.) to take a moment and clear out my cards.

        Bonus Link: 13 Tips for Using and Caring for Memory Cards.

        3. Step three, sort photos: Here I open the folder that has all of the RAW files from a given day’s images using Adobe’s Bridge software. I create a subfolder in the dated folder called "maybe." I go through the day’s photographs and I drag anything that I think might have potential into the "maybe" folder.

        4. Step four, first pass processing using Adobe Camera RAW: My next step is to open all images in a day’s maybe folder using Adobe Camera RAW (comes with both Photoshop CS3 and Lightroom). You simply select all of the images in your maybe folder, right click, and select "Open in Camera RAW." This is where 95% of my photo processing is done.

        With camera RAW you can adjust the contrast of a photo, the exposure of a photo, the saturation of a photo. You can adjust the temperature of a photo (the reason why some white lights are sulfur yellow and other white lights are soft blue), you can adjust the vignette (black or white edges around a photo), fill lighting, etc. Adobe Camera RAW uses sliders to make these adjustments and it is easy as pie.

        After I get an individual image to where I want it I will use the "Save" button in camera RAW to save that finished photo as a JPG in a new folder "Finished Images."

        After I process my first pass imagery I move that date’s archive folder off my Mac and onto my drobo to back it up and store it more safely. Note, none of my RAW files are ever saved as processed. I consider my RAW files my negatives and always want to be able to go back to them and process from scratch if need be.

        5. Step five, 2nd pass processing: Once I’ve finished my first pass processing I will point Bridge to the "finished images" folder. Here I will look at each finished JPG image in as large a format as possible looking for photos that need additional work. Typically less than 10% of my photos need additional work beyond camera RAW.

        The type of work here is all done in Photoshop. As I go through the images I look for a few things consistently. Images that need slight sharpening. Images that have dust spots on them that need to be fixed with the cloning tool in Photoshop. Images that could benefit from dodging or burning, etc. As I see an image in Bridge that needs additional fine tuning I will double click on the image in Photoshop, make my edits, save the file and close it.

        6. Step six, keywording: My next step is to keyword all of my photos using Adobe Bridge. Adobe Bridge has pretty powerful keywording capabilities. I can batch and bulk keyword photos. I might start out, for instance, keywording every single photo I just processed as "Las Vegas" "DMU Las Vegas Meetup 2008" "Vegas". From there I then might go through sub batches and keyword them (say Caeser’s or Wynn or Venetian). From there I might then bulk keyword certain frequently used attributes (neon, mannequin, graffiti, night, etc.). And then I go through each image individually adding any final keywords image by image.

        Keywording is important because these keywords will be automatically read as tags by sites like Flickr and Zooomr. It also allows you better to search your finished imagery in the future on your computer. The Importance of Keywording Your Photos.

        7. Step seven, geotagging: Here I use a free program called Geotagger. Geotagger works with Google Earth and allows you to pinpoint a spot on the planet using Google Earth and then drag and drop any images from that location onto the program and geotags them with that coordinate. Geotagger only works for the Mac but there are lots of other free geotagging programs like Geotagger out there that work with Windows. When you geotag your photos at the file level both Flickr and Zooomr automatically add them to the meta data on your photo and place them on their site maps.

        8. Step eight, sort finished photos into A or B to be uploaded folders: My next step is to go through my imagery and basically sort 80/20. What I feel are my strongest 20% go into a folder "B." The rest go into a folder "C."

        9. Step nine, publish: I publish twice a day usually but this is by no means a hard and fast rule. Once in the morning and once in the evening. I typically publish 10-15 photos at a time selected mostly at random from my growing pool of "to be uploadeds."

        I make sure that when I upload these 10 or 15 shots in a batch that the "B" shots are uploaded last as Flickr and Zooomr only highlight the last 5 shots that you upload in an upload batch. I want these to be what I feel are my better images.

        And that’s it. I’m sure that there are more efficient ways that I could be processing my imagery but this has worked for me for a while now. Feel free to ask any questions as the above might sound a bit complicated to some.

        Additional reading: Thomas Hawk’s Principles and Guidelines for the Modern Photowalker . Brian Auer’s Your Guide to Adobe Bridge: Useful Tips and Tricks.

        More comments and a conversation about this post over at FriendFeed.

        light test
        Calling Card
        Image by brandon king
        My cousin in New Jersey got a call back for a part in The Color Purple on Broadway (she is an amazing opera singer) and needs some quick head shots. This is just a few light test while i wait for her to get here.

        Once I’m done figuring out the initial light setup (it will usually change as i start shooting) I like to play with curves and such just for fun. I put on the grey t-shirt cause i didn’t feel like holding up a grey card. i held blazey’s shoes cause i needed something flaming with color for reference.

        (this behind the scenes photoshop is for you ouxu)


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